Showing posts with label WMRY. Show all posts
Showing posts with label WMRY. Show all posts

Monday, February 08, 2021

The Ballad of Mother Radio

In 1970, when 98.5 WWOM went stereo, Billboard Magazine buried the Dec 5th issue headline on page 36 of the magazine. The article stated that WWOM had switched from easy listening to progressive rock on September 19th of that year and that they were imminently going stereo. The station had been simulcasting their AM side until that Fall. The article quoted program director Damion:

"The first month on the air broke even financially... from the reaction of the community and from record distributors, we are rapidly becoming one of the most talked about progressive music stations in the south."
It was perhaps over-optimistic, given how few progressive rock stations there were in the American South.  But Billboard did list happen to name four DJs out of the staff: Coburn, Jack Morris, Ernie Novello and Steve Ponty (aka Steve Pontious). Most of these DJs have all fallen into total obscurity. 

A lot of great DJs came though those doors. Hugh Dillard had left the station in 1969 for 99.5 WRNO-FM in New Orleans, which also flipped to progressive rock. Robert Bishop wasn't listed, but he was on WWOM in 1970, leaving for WDAI in 1971. Another DJ, K.C. Jones (aka Casey Jones; aka Charles Jones) was on WWOM in 1969 and departed in 1970 for WAJA. DJs like Charlie Matkin (1961), Stuart McRae(1967), and Jim Turner (1966) had all left the station before 1968. But most of that staff were on the AM side. We are strictly talking about FM here.

The original WWOM-AM had only signed on under the Southland Broadcasting Co., in 1950 on 600 kHz in 1950 originally as a daytimer. In 1958 it moved to the 940 frequency and became WYLD. A new station was then launched on 600 kHz with a beautiful music format andthe calls WWOM. Did I mention that WMRY was a "negro" station with an all-African-American staff?  [LINK] Anyway, in 1965, owner Dave Waagenvord launched 98.5 WWOM-FM. This was the station destined to become the progressive rock station "Mother Radio."  More here.
 

Sadly our progressive rock station didn't last long. On July first 1971 NOLA Express published some bad news. The station had been competing with the more pop leaning AOR station 99.5 WRNO-FM, among others and was making some budget-driven decisions.

"After some nine months of commercial complications, personality splits, financial instability and general programming difficulties, Mother Radio has departed the downtown premises of WWOM-FM for the healthier and heartier territory of St. Tammany Pariosh, specifically WVSL-FM in Slidell... The current staff consists of Bob Peale, Steve Pontious, George Miller, Mike (the Wizard) Copaz, and of course Roby.  Jack Morris has split and apparently Norbert Wabrig and John Larroquette felt that the Northern climes would be a bit too much for them. Mother in stereo country. 105.3, The highest signal on the FM dial. It's a good move. Don't miss it."

In May of 1971 Record world briefly wrote up the WWOM picnic, describing it's 8,000 attendees and just a few of the station staff: Jack Morris PD; Ernie Novello MD; and DJs John Laurecat, Bob Peale, Steve Pontious and Norbitt Wabbig [sic]. The misspellings there may be coincidental or deliberate. 

105.3 WVSL had only signed on in September of 1970. But their 350 ft tower in Slidell, didn't have a really great signal in New Orleans. It was a rimshot. This "flip" is how the station changed to progressive rock in late 1971; the progressive format of WWOM "Mother Radio" picked up kit and moved, bringing some of their air staff with them.  their coverage of New Orleans was poor to fair, but otherwise things continued on as they had, until June of 1973.

The details are spelled out in an unusual complain to the FCC bearing 33 signatures.  WVSL sponsored a drawing with a chance to win a windjammer cruise to the Bahamas, plus ten speed bicycles and other prizes. According the the FCC investigation and response, the contest was not authorized by the licensee. Consequently the acting manager and  the staff of the station who conducted the contest were fired. When the staff were fired, they destroyed whatever documentation they had for the selected winners. This made it impossible to complete the contest as planned. 

Furthermore it was the opinion of the radio stations attorney that re-doing the contest was "futile" as the format had changed and therefore the audience. It sounds suspicious and I'd like to know the rest of that story. But ultimately WVSL was sold to Security Broadcasting because of "severe financial losses" according to another complaint response by the FCC. The station then flipped to an MOR format simulcasting WSDL. 

Let's rewind a little. "Mother Radio" didn't' actually start on WWOM either. KFMK signed on in 1958 with a top 40 format, then flipped to classical music., then back to top 40 all by 1967. Then in 1968, they flipped to progressive rock with the brand "Mother Radio".  But in early 1969 they dropped the format and changed to a christian format. Purportedly KFMK was shut down at least partly due to pressure from the Houston police.

The Rice University newspaper, The Rice Thresher issue of April 3rd 1969 wrote that "mother radio is dead."

"KFMK left the air last Wednesday, to return as an 'easy-listenin' station. Those with the money (mf's) decided that Houston wasn't ready for a progressive-underground-hard rock radio stations. I hesitate to refute this raison de mourir because it's absurdity is so easily recognizable... What was the real reason that Mother died?  Perhaps it was the not-afraid-to-be-heard style of the editorials, and the controversial shows produced for the station by Pacifica... Be careful not to blame the announcers or the program director for the change  —they were simply 'released' with no notice at all..."

Urban legend states that the station was off air between the formats, intimating a real-deal "shut-down" of some duration. This is actually somewhat corroborated by the Mediatrix Houston report of 1987. It states plainly "Mother Radio was so underground that it eventually left the air in '69." Later that year, Crawford Broadcasting returned it to service, still with the KFMK call letters but this time with a Contemporary Christian format. More here and here.

But there is an air gap between the Mother Radio of Houston and the one in New Orleans. They share no staff except possibly Bob Peale. But it remains the godmother of both Mother Radio WWOM in New Orleans and KPFT, the Houston Pacifica station. So we are left with a string of names: Coburn, Jack Morris, Ernie Novello, Steve Pontious, Bob Peale, "Damion," George Miller, Mike Copaz, "Roby," Norbert Wabrig and John Larroquette [LINK]. 

We know about some of those names, but others I cannot even identify. Steve Pontious is still with us, Mike Copaz went on to WNOE, Bob Peale and Jack Morris went to WLOL in Houston, John Larroquette became an actor and won 4 Emmys. Ernie Novello died on April 20, 2013, he had left radio and been the manager of a record store in New Orleans: Mushroom and Record Connection. After that he had often been indigent or homeless in the years prior. His mysterious nickname "Head Slug" remains unexplained. More here.

Monday, July 07, 2014

Black Radio Timeline

There are 24 hours in a day, 7 days in a week and 168 hours in a week. For a local radio station that's a lot of programming. (It's no wonder they turned early on to syndication.) For a 24 hours station to dedicate even half their programming to a single demographic group was 84 hours of programming. If you want to quibble about daytimers, in the winter they need 9 hours of programming per day, that's 63 hours of programing.  [SOURCE] In the year 1943 only four stations in the whole of the United States were marketing any of their programming specifically for black listeners. Ten years later that total had jumped to 260.

For clarity I will be omitting single performance appearances as these are difficult to corroborate and don't connote a commitment to programming. Omitted would be any one-off appearances like Ruth Dennis's famous lecture on WGBS, Marion Anderson's national broadcast from the Washington monument in 1939, Bessie Smith's live broadcasts in 1924...etc. I also exclude white DJs broadcasting R&B.  I would maintain that is a whole different list.  Some events have uncertain dates. These are marked with an asterisk. These were pivotal years culturally: the end of WWI, the civil rights movement, the baby boom. Change was afoot. Let us review only the highlights.

*1924 - Isaac "Satchel" McVea begins hosting Optimistic Do-Nut Hour on KNX (San Francisco)
*1925 - Jack Cooper write and stars on his vaudeville program on WCAP
*1926 - Henry Starr debuts on Edna Fischer Show KFRC (San Francisco)
*1927 - The Pittsburgh Courier sponsors a string of Black oriented programs on WGBS (Pittsburgh)
*1928 - The Pittsburgh Courier moves their program to WGCU (Pittsburgh)
*1929 - The Harlem Broadcasting Company begins leasing time from WRNY (NewYork)
           - Jack Cooper's "All Negro Hour " debuts on WSBC (Chicago)
1930 - Sherman "Jocko" Maxwell debuts on WRNV (New York)
         - Lightfoot Solomon Michaux debuts on WJSV (Washington D.C.)
1931 - The Jackson Southernaires start a weekly syndicated NBC program
1932 - N/A
1933 - Bass Harris debuts on KRSC (Seattle)
         - CBS airs "John Henry Black River Boat Giant"
1934 - Benny Goodman's interracial band on "The Camel Hour"
1935 - First all-black radio show cast "A Harlem Family" WMCA-AM
         - Howard D. Morison debuts on WJLB (Detroit)
         - WJTL (Atlanta) debuts a 15-minute black community newscast
1936 - WMCA (New York) begins broadcasting "Amateur Night in Harlem"
         - Duke Ellington's debut series on WMCA (New York)
1937 - Joe Bostic Sr. begins hosting "Tales From Harlem" on WMCA-AM
          - WNEW (New York) begins broadcasting the program "Harlem Amateur Night"
          - Nat D. Williams debuts on WHBQ (Memphis)
1939 - Hal Jackson debuts on WINX (Washington D.C.)
1940 - American Negro Theatre debuts on WNEW (New York)
         - Richard Huey's "Sheep & Goats Club" debuts on WOL (Washington D.C.)
         - The Golden Gate Quartet starts a sustaining on CBS
1941 - Cab Calloway's "Quizzicale" debuts on NBC Blue
         - The National Urban League and CBS debut "the Negro and National Defense"
1942 - Dixiana a "Negro Variety show" debuts on WCAU (Philadelphia)
         - Billboard Magazine launches "Harlem Hit Parade" chart
1943 - "Heroines in Bronze" a program on black women airs on CBS
         - CBS airs a NAACP connected radio documentary "The Negro In The War"
         - CBS airs the commentary "An Open Statement on Race Hatred" 
1944 - Roi Ottley developed the WMCA (New York) radio series "New World a Comin"
         - AFRS debuts all-black variety program "Jubilee" 
         - "The Interracial Goodwill Hour" debuts on WJLB (Detroit)
1945 - Al Benson debuts on WGES (Chicago)
         - Ramon Bruce debuts on WHAT (Philadelphia)
         - Thelma Carpenter becomes a regular on Eddie Cantor's variety program.
1946 - Early Wright debuts on WROX (Clarksdale)
         - Willie Bryant hosts WCBS (New York) network radio program, "Night Life"
         - "National Negro Newspaper Week" airs on CBS
         - Joe Adams and "Golden Grooves" debuts on KMPC (Los Angeles)
1947 - Actress Hattie McDaniel took over the lead role on "Beulah" on NBC
         - Bill Cook starts spinning jazz on WAAT (Newark)
         - Jessie "Spider" Burks debuts on KXLW (St. Louis)
         - Jack Gibson debuts on WCFL (Chicago)
         - Eddie Honesty debuts on WJOB (Hammond)
         - Emerson Parker debuts on WQQW (Washington D.C.)
         - Norfley Whitted WDNC (Durham)
         - Dan Burley debuts the Skiffle Club on WWRL (New York)
         - Woody Woodard debuts on WLIB (New York)
         - Lavada Durst debuts on KVET (Austin)
1948 - "Destination Freedom" debuts on WMAQ (Chicago)
         -WDIA becomes the first radio station programmed entirely for African Americans
         - Ebony magazine lists the only 16 black DJs in America
         - First female black DJ, Mary Dee Dudley debuts on WHOD (Pittsburgh) 
         - WOOK (Washington D.C.)  programs R&B music full-time
         - Bill Hawkins debuts on WHK (Cleveland)
         - Holmes "Daddy-O" Daylie debuts on WMAQ (Chicago)
1949 - First black radio station owner Jesse B. Blayton Sr. at WERD (Atlanta)
         - Second black radio station owner Andrew "Skip" Carter buys KPRS (Kansas City)
         - Maurice "Hot Rod" Hulbert debuts on WDIA (Memphis)
         - Albert "Acey Boy" Wilson debuts on WKGN (Knoxville)
1950 - WMRY (New Orleans) has all-black radio staff
         - Vernon Winslow early Black Announcer on WMJR (New Orleans)
1951 - WANT (Richmond) has all-black radio staff
1952 - WEFC (Miami) Primarily black programming
1953 - WCIN (Cincinnati) Primarily black programming
1954 - WNJR (Newark) and WLIB (New York City) primarily black programming
         - National Negro Network launched by Leonard Evans

Friday, September 20, 2013

The all-Black Airstaff at WMRY

 The date is up for debate but some sources claim that the New Orleans radio station 600 WMRY may have had an all Black on air staff. I read a web reference that claimed that it was the year 1949, the book Perspectives of Black Popular Culture by Harry B. Shaw dates it to 1950. If it was true, it was almost certainly the first. Louisiana's own Off Beat Magazine refers to it as having an integrated air-staff. I find that claim more plausible be the date 1949 or 1950. But in April of 1953, Jet magazine claimed they had "all-negro announcers;" so I file this as plausible.

It was probably the success of black-oriented programming at KOWL-AM in Los Angeles and WDIA-AM in Memphis in 1948, and WERD-AM in Atlanta which inspired the white management of WMRY to try a R&B format and begin hiring black DJs. Other stations made the flip but didn't hire an all black air staff, stations like WEFC-AM in 1952 in Miami, WCIN-AM in Cincinnati in 1953, and New York City's WNJR-AM in 1954.

One the early hires at WMRY was Tex Stephens. He had a R&B program at 1230 WJBW-AM which broadcast from the Gladstone Hotel. On air he was "Mr. Cool."  The station was all-white and he broadcast from Hayes' Chicken Shack. He moved to WMRY in 1949 and started the show “Tipping With Tex.” More here and here. Later they even hired Vernon Winslow Dr Daddy-O himself.  In 1950 they also hired James Booker at the age of 11 to play piano on a gospel program. (This was long before he had the limp and the eye patch.) That is not to ignore Larry McKinley Ernie-the-Whip Bringier, Delores Estelle or Laura Lane. Each of them will have their own post eventually. The line up in that era was amazing.

The radio landscape began to change around WMRY. The station 800 WBOK-AM signed on in 1951, as the second integration station in New Orleans. In 1957, the station moved from the Louisiana Life Insurance Building on Dryades Street, to Tulane Avenue, where it stayed until the 1980s. In 1958, 600 AM changed calls from WMRY to WYFE, and the juice increased to 1000 watts but still as a day timer. But the R&B format moved to the 1000 watt 24/hr station 940 WYLD-AM.Previously it was WTPS-AM a station owned by the Time-Picayune Newspaper and Mutual affiliate. Today 940 WYLD-AM is a gospel station and 98.5 WYLD-FM is an Urban Contemporary station. Both are owned by Clear Channel. Sigh.