The Ballad of Mother Radio

In 1970, when 98.5 WWOM went stereo, Billboard Magazine buried the Dec 5th issue headline on page 36 of the magazine. The article stated that WWOM had switched from easy listening to progressive rock on September 19th of that year and that they were imminently going stereo. The station had been simulcasting their AM side until that Fall. The article quoted program director Damion:

"The first month on the air broke even financially... from the reaction of the community and from record distributors, we are rapidly becoming one of the most talked about progressive music stations in the south."

It was perhaps over-optimistic, given how few progressive rock stations there were in the American South.  But Billboard did list happen to name four DJs out of the staff: Coburn, Jack Morris, Ernie Novello and Steve Ponty (aka Steve Pontious). Most of these DJs have all fallen into total obscurity. 

A lot of great DJs came though those doors. Hugh Dillard had left the station in 1969 for 99.5 WRNO-FM in New Orleans, which also flipped to progressive rock. Robert Bishop wasn't listed, but he was on WWOM in 1970, leaving for WDAI in 1971. Another DJ, K.C. Jones (aka Casey Jones; aka Charles Jones) was on WWOM in 1969 and departed in 1970 for WAJA. DJs like Charlie Matkin (1961), Stuart McRae(1967), and Jim Turner (1966) had all left the station before 1968. But most of that staff were on the AM side. We are strictly talking about FM here.

The original WWOM-AM had only signed on under the Southland Broadcasting Co., in 1950 on 600 kHz in 1950 originally as a daytimer. In 1958 it moved to the 940 frequency and became WYLD. A new station was then launched on 600 kHz with a beautiful music format andthe calls WWOM. Did I mention that WMRY was a "negro" station with an all-African-American staff?  [LINK] Anyway, in 1965, owner Dave Waagenvord launched 98.5 WWOM-FM. This was the station destined to become the progressive rock station "Mother Radio."  More here.
 

Sadly our progressive rock station didn't last long. On July first 1971 NOLA Express published some bad news. The station had been competing with the more pop leaning AOR station 99.5 WRNO-FM, among others and was making some budget-driven decisions.

"After some nine months of commercial complications, personality splits, financial instability and general programming difficulties, Mother Radio has departed the downtown premises of WWOM-FM for the healthier and heartier territory of St. Tammany Pariosh, specifically WVSL-FM in Slidell... The current staff consists of Bob Peale, Steve Pontious, George Miller, Mike (the Wizard) Copaz, and of course Roby.  Jack Morris has split and apparently Norbert Wabrig and John Larroquette felt that the Northern climes would be a bit too much for them. Mother in stereo country. 105.3, The highest signal on the FM dial. It's a good move. Don't miss it."

In May of 1971 Record world briefly wrote up the WWOM picnic, describing it's 8,000 attendees and just a few of the station staff: Jack Morris PD; Ernie Novello MD; and DJs John Laurecat, Bob Peale, Steve Pontious and Norbitt Wabbig [sic]. The misspellings there may be coincidental or deliberate. 

105.3 WVSL had only signed on in September of 1970. But their 350 ft tower in Slidell, didn't have a really great signal in New Orleans. It was a rimshot. This "flip" is how the station changed to progressive rock in late 1971; the progressive format of WWOM "Mother Radio" picked up kit and moved, bringing some of their air staff with them.  their coverage of New Orleans was poor to fair, but otherwise things continued on as they had, until June of 1973.

The details are spelled out in an unusual complain to the FCC bearing 33 signatures.  WVSL sponsored a drawing with a chance to win a windjammer cruise to the Bahamas, plus ten speed bicycles and other prizes. According the the FCC investigation and response, the contest was not authorized by the licensee. Consequently the acting manager and  the staff of the station who conducted the contest were fired. When the staff were fired, they destroyed whatever documentation they had for the selected winners. This made it impossible to complete the contest as planned. 

Furthermore it was the opinion of the radio stations attorney that re-doing the contest was "futile" as the format had changed and therefore the audience. It sounds suspicious and I'd like to know the rest of that story. But ultimately WVSL was sold to Security Broadcasting because of "severe financial losses" according to another complaint response by the FCC. The station then flipped to an MOR format simulcasting WSDL. 

Let's rewind a little. "Mother Radio" didn't' actually start on WWOM either. KFMK signed on in 1958 with a top 40 format, then flipped to classical music., then back to top 40 all by 1967. Then in 1968, they flipped to progressive rock with the brand "Mother Radio".  But in early 1969 they dropped the format and changed to a christian format. Purportedly KFMK was shut down at least partly due to pressure from the Houston police.

The Rice University newspaper, The Rice Thresher issue of April 3rd 1969 wrote that "mother radio is dead."

"KFMK left the air last Wednesday, to return as an 'easy-listenin' station. Those with the money (mf's) decided that Houston wasn't ready for a progressive-underground-hard rock radio stations. I hesitate to refute this raison de mourir because it's absurdity is so easily recognizable... What was the real reason that Mother died?  Perhaps it was the not-afraid-to-be-heard style of the editorials, and the controversial shows produced for the station by Pacifica... Be careful not to blame the announcers or the program director for the change  —they were simply 'released' with no notice at all..."

Urban legend states that the station was off air between the formats, intimating a real-deal "shut-down" of some duration. This is actually somewhat corroborated by the Mediatrix Houston report of 1987. It states plainly "Mother Radio was so underground that it eventually left the air in '69." Later that year, Crawford Broadcasting returned it to service, still with the KFMK call letters but this time with a Contemporary Christian format. More here and here.

But there is an air gap between the Mother Radio of Houston and the one in New Orleans. They share no staff except possibly Bob Peale. But it remains the godmother of both Mother Radio WWOM in New Orleans and KPFT, the Houston Pacifica station. So we are left with a string of names: Coburn, Jack Morris, Ernie Novello, Steve Pontious, Bob Peale, "Damion," George Miller, Mike Copaz, "Roby," Norbert Wabrig and John Larroquette [LINK]. 

We know about some of those names, but others I cannot even identify. Steve Pontious is still with us, Mike Copaz went on to WNOE, Bob Peale and Jack Morris went to WLOL in Houston, John Larroquette became an actor and won 4 Emmys. Ernie Novello died on April 20, 2013, he had left radio and been the manager of a record store in New Orleans: Mushroom and Record Connection. After that he had often been indigent or homeless in the years prior. His mysterious nickname "Head Slug" remains unexplained. More here.

Jazz-Rock KFMK

As long as I can remember, 97.9 KBXX has been a CHR/Rhythmic station.But like any station more than a few years old, it's had some former incarnations. 'The Box' debuted it's current format back in 1991. But back in the 60s it was a free form FM station, wild and crazy living a woolly rock n' roll playlist. KFMK debuted on the FM dial in Houston back in 1958. In those years they only broadcast from 8:00 AM to Midnight.They ran block programming and from the get-go carried even some jazz programming such as Dan Shannon's "Jazz in America." By 1960 they were already calling themselves 98FM. It was the first radio station in Houston to play rock music on the FM dial. There may have been others that snuck in a single or two but this was not a Top-40 station it was all rock n' roll.
In October of 1967 they dropped that free form mess and flipped to what they called "Rock-Jazz." Billboard,dumbfounded, ran a very short article the change. Billboard's description of it as Rock-Jazz seems comical now of course but maybe not at the time. Some of that later hot jazz was just as rambunctious as rock n' roll. This website explained it thusly:

"It was the epitome of underground radio in the early days. It was an FM station that was so low powered that they had to run promos on how to construct home antenae that were the right length to receive the signal!! This was done with cool moog synthesizer music in the background."

But later references to the station indicate they were still playing progressive rock in 1968. Rock-Jazz, whatever it was, died in 1968. Under Crawford broadcasting it became a Southern Gospel station and then a Contemporary Christian station. They sold it in 1979 to First Media who flipped it to an oldies/ Soft AC mix. That odd mix hung on through most of the 80s even being decribed by Billboard in 1989 as an "oldies Top 40 blend."The KFMK calls currently reside just outside Austin now on 105.9.  More here.