Taking A Mulligan

This Fantasy records Jazz 10" release was recorded by the Gerry Mulligan Quartet in September of 1952 at the Black Hawk in San Francisco. It was released in 1953, in multiple editions, translucent red vinyl, translucent red vinyl and regular flavor black vinyl. The line up on this session was Gerry Mulligan on Baritone saxophone, Carson Smith on bass, Chico Hamilton on the drums, and the legendary Chet Baker on trumpet. It's cool bop at it's finest, you can't touch it. The good news is that you can get a playable copy for $20 —no problem.  

 

Can you read this handwriting?

That said, my personal copy is in rough shape: both sides are moth eaten, torn open and the vinyl condition is "(G) Good" at best. But I bought it anyway because of what's on the back. On the rear cover is a hand written note that reads as follows. 

"Saw G. M. for 1st time at Newark Mosque Theatre Concert. Carl Ide was D.J. on station WNJR. After C. Ide on WRYR [sic] came Ed Beard a superb D.J., Best of all." 

Despite the few illegible words, the note is still interesting. Clearly the owner of the LP saw Gerry Mulligan, and two DJs.  The second name is a little unclear... Ed Beach, Beard, Beab? [Can anyone read that?] The front cover is even dated: February 28th, 1954. I am assuming that was the date of the concert. Note: In 1953 Mulligan would have had a different line up than the 1952 recording. Mulligan did 6 months on a narcotics charge and Baker didn't rejoin when he got out in 1953.  The new line up was: trombonist Bob Brookmeyer, drummer Frank Isola and bassist Bill Anthony; though Red Mitchell replaced Anthony mid-year. In 1954 he reassembled his "Tentette" but those dates started on the west coast. They stayed in the Bay area into at least early February. A note in this article confirms they stopped in Philly but little more. [SOURCE] 

"Arlyne Mulligan remembered everyone “living out of suitcases ... and the only time we were not working was when we were traveling to the next job.”After crisscrossing the nation, they spent some time in Philadelphia, following which an informal recording exists of the quartet at the Storyville in Boston at the start of April."

I think the illegible words after Newark are Mosque Theatre.  Located at 1020 Broad Street it opened in 1925 and was renamed Newark Symphony Hall in 1964. The studios of Radio Station WAAT were in the Mosque building in the 1940s, WAAT-FM by 1948 and around 1950 Channel 13 WATV. I could be wrong, the words are barely legible... But A lot of jazz artists played there in the 40s and 50s. Duke Ellington played there in 1948. Norman Granz Jazz at the Philharmonic in 1949. The Birdland Allstars played there in 1957 with Chet Baker, even Miles Davis in 1958. So I knew it was possible. But the one I found was a set of small combos Mulligan, Duke Ellington and Dave Brubeck on the same bill in October 1954. [SOURCE] 

So we know Mulligan could have been there, what about the DJs? Carl Ide was  a DJ with a great resume so we have a lot of ephemera. The book Airwaves of New York places him on WNJR in late 1948. He quit KDKA in October 1948 and shut down some kind of broadcasting school. Variety magazine stated " Ide is heading for New York to freelance, at the same time taking a part-time specialist job at WNJR, Jersey City, where he will do news, special events and an evening disk jockey show." And sure enough, in 1949 Broadcasting magazine had him MC-ing a 1quiz show for WNJR. He was on morning drive, 1:00 to 3:00 in the afternoon with the S.S. Cool, and again at 11:00 PM with an hour of music and poetry.

This half is more legible

In 1950 he was on WNJR evidenced by this article in Broadcasting Magazine. [SOURCE] He had a "late evening disc show" on  WNJR in Newark, NJ. His live program was called "Hello From the Ivanhoe." It broadcast from the night club Ivanhoe in Irvington, NJ., from 11:00 PM to 12:00 midnight nightly. But it added the "Latest series features Ed Bonner spinning records and interviewing guest stars from Club Diana, Union, NJ. Mr. Bonner is heard from 10:00-10:30 PM nightly, except Monday."  Is the other DJ on the LP note "Bonner?" [No... not even if you squint.]

In 1951 Cashbox also had him on WNJR "Before Oscar Peterson made his appearance with the Jazz at The Philharmonic concert at Carnegie Hall in NY on Saturday night, he was on the air with Jazzbo Collins, WNEW, Freddie Robbins, WINS, Wille & Ray, WHOM, Doc Jive, WWRL, and Carl Ide, WNJR." [SOURCE]

In 1953 Carl went back to KDKA.  Cash Box magazine reported that "Carl Ide, formerly WNJR Newark is now solidly established on KDKA Pittsburgh, and has re-launched his “S.S. Kool” jazz show." [SOURCE]  Though that same year Variety Magazine referred to the show as Music in the Modern Mood. [SOURCE]

Prestige 761, released 1952

It's also  interesting to note that Ide and Mulligan weren't strangers. They knew each other. In 1952 Prestige released a platter with Gerry Mulligan's "Roundhouse" on the A-side and "Ide's Side" on the B-side. It was recorded in 1951 which casts doubt on the title being eponymous. But Ide had done radio surveys and pushed the idea that listeners wanted instrumental jazz and Mulligan delivered. Mulligan was born in New York but moved to Philly as a teenager.  Reputedly at the age of 16 , he approached Johnny Warrington at WCAU about writing arrangements for the station's house band and got the gig. He went on from there to write for Claude Thornhill, Gene Krupa, Stan Kenton, and even Miles Davis. He was a Philly guy who may have known Carl Ide one way or another.

 

TV Guide 1961 advert

Gerry Mulligan died in 1996 at the age of 68 years old. But what of  Carl Ide?  He became a newscaster in KDKA-TV. By the early 1960s he had moved on to WTAE-TV.  He died in November of 1976.

Budge & Fudge

The Mayse Brothers were Fiddlin' Fudge and Bashful Budge were never huge. They are so obscure today that their surname is erroneously spelled Mays and Mayes in some texts. For ephemera I have seen two post cards, and two recordings. Billbilly Music has one folio. [SOURCE] They appear as barely a footnote in the book Mountaineer Jamboree by Ivan M. Tribe.  (No connection to the 1980s Sensational Mayes Brothers gospel troupe. )

Their real names were Lester Paul "Fudge" Mayse Sr. and Budge Mayse Sr.  Fudge was born in 1916 and Budge was born in 1918. So they were young bucks when they landed at WCHS.  Fudge and Budge first began playing in 1936 (some sources cite 1937). Their first radio gig was at WCHS that same year on The Old Farm Hour. There they meet Buddy Starcher who created the show, and went on to mentored them. [LINK] Buddy was born in 1906, so at the age of 30 having already played on WFBR in Baltimore, he was the more experienced performer. At the time Buddy mostly played as a duo with Smiley Sutter, both on guitar of Buddy on banjo. Reputedly he was the source of Paul's nickname "Fudge".

Originally from Braxton, WV, they started on WCHS radio in Charleston naturally. Then played on WHIS Bluefield, WDOD Chattanooga, and WWVA in Wheeling. That makes them early and perhaps original cast members of the jamboree. They later became regulars on the Sagebrush Roundup on WMMN in Fairmont, WV.

Paul 

Both of their 78s were released in 1947 and came out on the Country & Western label Dixie records. That's the Dixie records based in Marietta, OH; not any of the other dozen Dixie record labels. This label was only active in 1947 and released a mere nine 78s. The two songs on their #107 platter were "My Beautiful Blue Eyed Blonde" and "Far Beyond The Starry Sky" written by Buddy Starcher and Cliff R. Carlisle; in other words, both cover tunes. The #108 platter was "Don't Spoil Your Pretty Eyes With Tears" and "Bluefield Blues" though I've never found a copy of the latter. That last song is the only one I'm sure was written by the Mayse brothers as it appears credited in that folio. Though it does not appear in the ACE directory; so there may be no publishing. It's was listed among the new releases in the May 24th, 1947 issue of Billboard and was even reviewed in the August 9th issue.

"With many labels pushing Hillbilly duos, the Mayse Brothers, late contenders in the field, don't have to worry about established wax competition for they offer something new in their whispering renditions. Boys pay more attention to the proper vocal blend than a lot of volume and resultant work is ear-arresting. Dont Spoil is a spiritual-type ballad, with their soft-worded treatment especially suited. Flipover is a distinctive hill country that again showcases Budge and Fudge nicely." 

In November of 1947 the Billboard "Folk Tunes" column reported that Budge and Fudge have parted ways with Finley Duncan "Red" Belcher and now have their own show. Belcher picked up a new duo, the Ritchie Brothers. More on Red Belcher here. 

Dixie records 1947

A year later, Mary Jean Shurtz wrote in a "National Hillbilly News" column that in 1948 Hawkshaw Hawkins formed his own band, the line up including Budge and Fudge and perhaps Smokey Pleacher; a comedian who also sang. In August of that year a Folk Talent column by Johnny Sippel reports that the Mayse brothers have moved from WWVA to WPDX in Clarsburg.  That is likely their new show from the Shurtz article. It also mentions that there "they are working with their Dixie records boss, Buddy Starcher..." Late that year I found an ad for a concert they played with Little John, Oscar Quiddlemurp and the gospel singers. It was advertised for months and held on December 31st  of 1948 at an Inn in Frostburg, MD. There are no further mentions of them in print after 1948, thought a family genealogist reported them still performing in the 1950s. 

Ivan M. Tribe in his writings noted that while performing on WMMN and WPDX the Mayse brothers attended Clarksburg Business College. They later went into  auto and insurance sales, respectively. Budge died in 1967 just 48 years old. His brother Fudge died in 1971 at the age of 54. They were both survived by their widows who thankfully helped later historians. 

A General Electric P-810A Radio

 

The P-810A was made by General Electric in 1962. I've seen the same model with white faux leather. The labels all bore both model numbers and the two finish options P810A chrome & nutmeg or P811A Chrome and pearl white. In this case the brown has either aged or been dyed almost to a dark brown. 

It's a AM model that could tune 540 to 1600 Khz. The chassis was about 8" long by 6.5" tall and 3" just under 3" thick. There is very little published about this model. It appears in a list in the Michael Schiffer book The Portable Radio in America Life. It's also in the collectors encyclopedia Transistor Radios by David Lane. It lists the model with the spare description "Right round dial knob, left thumb wheel volume, perforated chrome grill, top handle, leather case. 1962, AM BATT $20." It's not particularly collectible. Cardboard is notorious for absorbing moisture and fostering mold.  I've seen it for as little as $12, and as much as $50, but rarely seen one sold. More info here. 

 

But this one is unique. When I try to deduce where a radio was bought, or was used, I am usually limited to push button radios that are almost exclusively pre-1950. This one has a list of radio stations taped to the top. It's clearly cut from a newspaper or magazine, but it would have been local. This list has to be from after 1962. 

Notable among the stations is KMPS on 1300. That station is KKOL-AM today. It signed on as KDZE in 1922, and flipped to KMPS in 1975, having already cycled through the KFOA and KOL call signs. It was KMPS from 1975 until 1996. So that's our first window. 1450 AM was KUPY from 1973 to 1979, the KRPM from January 4th 1979 to 1981. That's a tight range. KDFL on 1560 operated from 1560 to 1980, changing calls to KFWT going dark in 1982 which puts a cap on the range.

• AM STATIONS

CALLS	FREQ	CITY/STATE
KVI	570	Seattle, WA
KGDN	620	Edmonds, WA
KIRO	710	Seattle, WA
KXA	770	Seattle, WA
KQIN	800	Burien, WA
KTAC	850	Tacoma, WA
KIXI	910	Seattle, WA
KITN	920	Olympia, WA
KJR	950	Seattle, WA
KOMO	1000	Seattle, WA
KBLE	1050	Seattle, WA
KING	1090	Seattle, WA
KAYO	1150	Seattle, WA
KASY	1220	Auburn, WA
KWYZ	1230	Everett, WA
KGY	1240	Olympia, WA
KYAC	1250	Pullman, WA
KMPS	1300	Seattle, WA
KMO	1360	Tacoma, WA
KRKO	1380	Everett, WA
KTNT	1400	Tacoma, WA
KRPM	1450	Tacoma, WA
KGAA	1460	Kirkland, WA
KQLA	1480	Bremerton, WA
KBRO	1490	Bremerton, WA
KZAM	1540	Bellevue, WA
KDFL	1560	Sumner, WA
KZOK	1590	Seattle, WA

 
It's very unexpected for an AM-only radio, but that swatch of newsprint also includes a set of FM stations. The FM station list even includes KAOS, which first began broadcasting on January 8th, 1973. The third station is KUPS which upgraded from carrier current to a 10 watt station in 1975, then to 100 watts in 1983. This aligns nicely with the KMPS date.  KRAB at the bottom of the list signed on in 1962 but was bought  and flipped calls in 1985 after being dark for most of 1984. We're definitely looking at a list from the early 1980s. 

But using the FM band we can narrow it further. On 101.5 Mhz top 40 station KVI-FM flipped calls to KPLZ in 1978. The format has changed but it's still KPLZ today. But because of the inclusion of KUPS and KAOS I favor a Tacoma-based publication as the source of this list. These two stations only overlap in coverage between Olympia and Tacoma. This list may even have been clipped from a student newspaper at the University of Puget Sound or Evergreen State College.

• FM STATIONS
  
  

CALLS	FREQ	CITY/STATE
KPLU	88.5	Tacoma, WA
KAOS	89.3	Olympia, WA
KUPS	90.1	Tacoma, WA
KPEC	90.9	Tacoma, WA
KTOY	91.7	Tacoma, WA
KZAM	92.5	Bellevue, WA
KISM	92.9	Bellingham, WA
KBLE	93.3	Seattle, WA
KMPS	94.1	Seattle, WA
KUOW	94.9	Seattle, WA
KIXI	95.7	Seattle, WA
KYYX	96.5	Seattle, WA
KNBQ	97.3	Tacoma, WA
KING	98.1	Seattle, WA
KEZX	98.9	Seattle, WA
KISW	99.9	Seattle, WA
KSEA	100.7	Seattle, WA
KPLZ	101.5	Seattle, WA
KZOK	102.5	Seattle, WA
KBRD	103.9	Tacoma, WA
KNWR	104.3	Bellingham, WA
KBIQ	105.3	Edmonds, WA
KLAY	106.1	Tacoma, WA
KWWA	106.9	Bremerton, WA
KRAB	107.7	Seattle, WA

Davey Tree Surgery Radio Hour

 

The Davey Tree Surgery Radio Hour was broadcast every Sunday 5:00 PM to 6:00 PM on WEAF for a period of time around 1930. The program used the Skinner Organ Company studio at 677 Fifth Avenue in New York for the live production. And what a production it was: ensembles, solo organ, male quartets, instrumental trios, mixed quartets...  14 musical numbers, exit and intro themes and a short lecture; syndicated on NBC.

The founder, John Davey, evangelized horticulture and tree surgery. In addition to founding his eponymous Tree Surgery Institute, he sponsored this radio program, he filed patents, gave lectures, ran magazine ads, and published books, pamphlets, and articles. By 1929 Davey Tree was a 3-million dollar company. He argued that trees need physicians, not "butchers".  His book on that topic was literally titled The Tree Doctor, published in 1907. Those "butchers" he comically refereed to as "ignorant tree men" in his book.  It's actually a great read. 

His company still exists, now known as The Davey Tree Expert Company. It's been employee-owned since 1979 and has about 12,000 employees. The definitive biography of the company, Green Leaves, by Robert Pfleger was published in 1977.  But back to 1930. His  Davey Institute is also still with us. Founded in 1870, that 1930 program was part of it's "Golden Anniversary." But that radio program was not John Davey's doing. He died in 1923. He was succeeded by his son Martin Luther Davey Sr.  The book  Green Leaves attributed the radio program to his grand plans:

"The Davey Company was one of the early users of radio network time as a sales tool. In 1929 Martin [L. Davey] contracted for the "Davey Hour" to be broadcast from New York City every Sunday afternoon over a network of twenty-four stations stretching from Boston to Kansas City. The program consisted of old time popular music, none of the selections being less than ten years old. ...During the hour long program Martin would devote 10 to 15 minutes to discuss some phases of tree care."

The program was broadcast live with no prerecorded segments; all live. Martin had to make a trip a trip into New York City each Saturday night for the Sunday broadcast. According to the book Green Leaves, the program continued for 9 months through the Fall, and Winter of 1930 and into the Spring of 1931. But we know from a Program flyer the "Golden Anniversary" of the program was in June of 1930; airing on at least June 1st and 8th. That's not Autumn. So it may be that the program began around June of 1930. The program as discontinued before June of 1931 due to the impact of the Great Depression.  

CALLS	City	Time
WEEI	Boston, MA	5 - 6 PM EST
WGR	Buffalo, NY	5 - 6 PM EST
WEAF	New York, NY	5 - 6 PM EST
WFI	Philadelphia, PA	5 - 6 PM EST
WCAE	Pittsburgh, PA	5 - 6 PM EST
WCSH	Portland, ME	5 - 6 PM EST
WJAR	Providence, RI	5 - 6 PM EST
WGY	Schenectady, NY	5 - 6 PM EST
CKGW	Toronto, ON	5 - 6 PM EST
WTAG	Worcester, MA	4 - 5 PM EST
WFJC	Akron, OH	4 - 5 PM EST
WSAI	Cincinnati, OH	4 - 5 PM EST
WENR	Chicago, IL	4 - 5 PM CST
WOC	Davenport, IA	3 - 4 PM CST
WHO	Des Moines, IA	3 - 4 PM CST
WDAF	Kansas City, MO	3 - 4 PM CST
WOW	Omaha, NE	3 - 4 PM CST

Davey Tree actually came back to radio in September of 2025 with a 30 minute podcast called "Talking Trees". [LINK] It's been running about bi-weekly for 50 episodes at the time of this writing. 

Find That Radio Dial (Part 5)

 

This is an interesting Superhet table radio made by Silvertone. They were a Sears & Roebuck company, and are still based in Chicago today. It's a Silvertone model 4769 made in 1937. This particular model could tune both AM and two shortwave bands. The preset buttons are laid out in a ring, like an old phone with the tuner dial in the center. They called it a "Teledial."  [SOURCE]  I did fine a thread where someone tried to restore one. That quirky mechanism appears to be a challenge to disassemble and reassemble, with different pulleys turning clockwise and counterclockwise. [SOURCE] 

This dial has WEEI, WHDH, WORL, WCOP , WNAC, and WAAB; all metro-area Boston stations, so there's little mystery about location. This is set also closely matches an ad in the 1937 Radio Yearbook for the most popular Boston radio stations. (below) It lists WNAC, WEEI, WBZ, WAAB, WHDH, WMEX, WCOP, and WORL in that order. (Of course, that's a list of only local stations. )  But the omission of WMEX and WBZ from the pre-sets is at the least, interesting. Perhaps a reception issue, or just personal taste. These sets usually came from the dealer with some buttons already set for demonstration purposes. Then there were perforated tags the owner might add. This owner may not have bothered. This radio has 4 unlabeled.

Broadcasting Yearbook 1937

 WEEI is a well known Boston station, operating today on 850, but were on 830 kHz from 1929 to 1941, when this radio was new. However, the station today that broadcasts as WEEI broadcast as WHDH from 1929 until 1994; so this is a actually different button on that same dial. That WEEI, a Hubbard station and CBS affiliate, broadcast at 5,000 watts daytime, and 1,000 at night from 590 kHz.  590 in Boston today is WEZE; a religious talker. More here.

 WHDH broadcast from 850 kHz, and was owned by Matheson Radio Co. I know I wrote 830 above but 850 is what's in the Radio yearbook. It broadcast out of the Hotel Touraine from 1933 to at least 1939. The building was on the corner of Boylston St. and Tremont near the Boston Common. Built in 1897, the Jacobethan building even contained a library and in the 1950s, was the HQ of the local Communist party. It is still standing today but was converted to apartments in 1966. 

WORL broadcast from the Myles Standish Hotel. That building is also called Myles Standish Hall, and is located at 610 Beacon St. In 1949, Boston University bought the building and converted it into a dorms. They renovated again in 2018 and re-named it Wituwamat Memorial Hall. 

WCOP broadcast on 1120 from the Copley Plaza Hotel. The station changed calls from WMFH in 1935. Owned by the Massachusetts Broadcasting Corp on paper it was operated by it's founder, Joseph Kirby. He died in 11937 and it was sold by his estate to Arde Bulova. Under NARBA it moved to 1150 kHz in 1941. I think they began broadcasting the Hayloft Jamboree in 1948. Today this is WWDJ still on that frequency but broadcasting religious blather.

WNAC was a member of both NBC-Red and the Yankee network. Their studios were at 21 Brookline ave. But it shared a transmitter site with WAAB in Quincy, MA. A year later Congress began an investigation of "duopoly" stations and John Shepard had to divest. Seems quaint with the crazy monopolies allowed to run wild today. 

 WAAB was both a member of both the Mutual and Colonial networks. It broadcast on 1410 at 500 watts; another occupant of 21 Brookline Ave. It was the home of the Colonial network, which itself carried some Mutual programming. Owner John Shepard operated the Yankee network out of WNAC. Shepard had bought the station in 1931 and changed it's calls from WLEX. Mayflower Broadcasting made an attempt in 1938 to take WAAB from Shepard, but in 1941 he won in a re-hearing with the FCC.

But back to the Silvertone model 4769. It appears to have been popular in the 1930s, or maybe that's survivorship bias. Maybe they're just popular with collectors. A quick web search finds dozens of mostly non-working dust collectors.  

 

This one (above) has WJR, WLW, WKJR, KDKA, WWJ, WJAS, WWSW?, and WKBN? This is a mix of Cincinnati, Pittsburgh, and Detroit stations. This has to be someone in a rural area of Ohio, but that's hard to narrow down without a local station. 

WABC, WCAP, WBRB, WMCA, WIP, WEAB, WOR, WJZ, and KYW. This one is certainly in New Jersey, receiveing both New York and Philadelphia metro stations. WBRB, being the only local one of the bunch.