The Moose is on The Loose

It is generally written that before Tom Donahue hooked up with KMPX, there was nothing subversive about rock radio. But The Moose, your Captain of the all-night flight, was very real. When some radio people talk about the true beginnings of free-form radio, they talk about the Moose. 

He was a native of Rochester, N.Y. and after three years at WKBW he came to KYA in the Summer of 1962 The Moose worked at KYA on four different occasions, at KSFO three times, KFRC twice, and at KNBR during his career in San Francisco. You can listen to clips here: http://www.bayarearadio.org/audio/kya/index.shtml

When the owner of KYA asked him to be program director, he balked at the Promotion. Vindictively the boss put him on overnights. It went down more like letting a wild lion out of a cage. It was here on the Super Freak 1260 that he flew directly thru the great egress of the 1960s. He rallied the people for protests, for civil rights, and free speech. He praised long hairand drugs and railed against war; all with a timeless blend of silliness, surrealism and cynicism. Every night he played free-form rock 'n' roll and the youth listened.

If there was a record on he didn't like, he'd have his engineer hit a sound-effects cartridge of a bombing attack, and the record would soon grind to a pathetic halt. In a lilting, laughing voice, he got away with sayings like, "May the bird of paradise eat your face completely." He gleefully attacked sponsors. His biggest advertiser was Mayfair supermarkets, which used a jingle sung by "Bob and Penny Mayfair." One night, Syracuse bombed the bouncy couple.

He had an imaginary crew and offered in-flight movies. and at 5:15, he delivered a farm report, doing the voices of Barnyard Benny and Cy Lo. reportedly he did not mave multiple personality disorder.

But behind the Mic, he was a family man. He sold driftwood at a shop on the village fair. He didnt take drugs and did his show hopped up on hot cocoa. He claimed not to ingest anything stronger than a cheeseburger.

On March 27, 1994 the historic KYA call letters disappeared forever, as the call letters were changed to KYCY. [Now KZRZ] http://home.att.net/~musicmann/kya.htm

Classic Rock is born

Classic Rock is a radio format, not a genre. It contains many genres including actual oldies from the 1960s, proto-metal, psychedelic-blues, psychedelic rock, prog-rock, and others. It is an odd radio format in that it has become totally entrenched in our language as if it were a music genre. If you get deterministic about etymology; because we all use it as if it were, it has become so.

Interestingly enough, most Classic Rock stations originally played a little something we used to think of as AOR. Album-Oriented Rock. That too was a radio format but despite the persistence of the term, it no longer exists. The AOR format is completely extinct! The idea was to play album cuts, in addition to (or instead of) singles. It was very FM-focused as you'd imagine.

I have seen the argument that this was also the birth of alternative rock radio. I think this is mostly crap since the term alternative rock did not even exist in 1967. I see it as something that sprung organically, decades later from another generation of pop music. But it was very related to so called "Free Form" FM. 

Previously 106.9 KMPX had been many things, a jazz station, MOR (middle of the road) and others. But in 1967 KMPX was owned by the Crosby-Pacific Broadcasting Company and was brokered ethnic and running a mighty 80,000 watts. In 1967, rock promoter Tom Donahue scraped together some favors, some cash and some chutzpa and sweet talked Station manager Ron Hunt into phasing out some foreign language programs in favor his "hippie-station" concept: album-oriented rock music with an emphasis on San Francisco-based bands, and announcers who took a more laid-back approach to the mic. By August of that year they were hippie-rock 24/7. Donahue was the First AOR PD in the nation. Months later they picked up a sister station in Pasadena KPPC. Clips of Donahue talking here:

Early on, things were promising but not profitable. Staff worked for little or nothing. But a year later cash was flowing, listenership was up and so were their ad rates. But salaries were still ranged from terrible to non-existent. Management fired Donahue on March 11th and brought in Bob Prescott as PD. This is sometimes described as Donahue walking out, but with some nuance. [SOURCE] This led directly to a strike by the KMPX staff on March 18th, 1968.

Ever the capitalist, Leon Crosby opted not to meet the demands of the workers. Instead he brought in a replacement staff. It was much like the way Regan handled the air traffic controllers strike in 1981 except a mixing console wont kill anyone. The strike at KMPX lasted eight weeks. KMPX lost almost it's entire staff and most of it's advertisers and even lost some of it's playlist's core artists. Several rock bands including the Rolling Stones and the Grateful Dead requested the the station no longer play their music.

Then Donahue took the whole staff across the street to KSAN and reassembled his radio commune. KMPX had a limited revival but never recovered. By 1972 after a series of ownership changes the station flipped to a Nostalgia format. Today KIFR operates on the 106.9 channel in San Francisco, as a Infinity Broadcasting licensee running News/talk. KSAN is still a big classic rocker. More here including a documentary film.

NOTE: the book the Art of Rock has several of the now famous psychedelic KMPX promotional station posters. You can see it here.