Sixteen Sepia Spielers

I've never found the original article, but it's referenced in a few books and one very notable Billboard article by Nelson George in November of 1985. Over half a century later I have no way to vet their stats but it's all too believable. The key claim is as follows "In 1947, there were three thousand disc jockeys in the country, but only sixteen were black."

It appeared on page 44-47 in their December 1947 issue. Four years later Mr. George wrote a book The Death of Rhythm and Blues and the book appears again in the works cited. But it also was cited in Doowop: The Chicago Scene by Robert Pruter, Nothing but Love in God's Water by Robert Darden, African Americans and the Media by Catherine Squires. (For the record DJs had been called Spielers since at least 1939.) Their definition of a Spieler is unclear but we can infer much from the list itself (below) we can exclude one-shot performers. These are DJs with a music program, not news programs.

DJ	CALLS	CITY
Ed Baker	WJLB	Detroit, MI
Al Benson	WJJD	Chicago, IL
Bill Branch	WEAW	Evanston, IL
Ramon Bruce	WHAT	Philadelphia, PA
Jessie Burks	KXLW	St. Louis, MO
Jack L. Cooper	WSBC	Chicago, IL
Van Douglas	WJBK	Detroit, MI
Jack Gibson	WCFL	Chicago, IL
Bess Harris	KING	Seattle, WA
Eddie Honesty	WJOB	Hammond, IL
Harold Jackson	WOOK	Washington D.C.
Sam Jackson	WHIN	Providence, RI
Emerson Parker	WQQW	Washington D.C.
Sam Price	WPEN	Philadelphia, PA
Norfley Whitted	WDNC	Durham, NC
Woody Woodard	WLIB	Brooklyn, NY

I've written about most of these DJs at one time or another. So perhaps that is why Major Robinson for was not included for his NBC radio column was back in 1948... but he was also one year too late for the article. Mary Dee Dudley, the first black woman to be a radio DJ misses the list by one year. Holmes "Daddy-O'Daylie of WMAQ misses the mark. Even the great Bill Hawkins at WHK misses by just a few months. This was only a list of black DJs active in 1947. The year was very early in the struggle for civil rights so it's certain that the list is short.  But some of the omissions are notable: Bill Cook at WAAT, Dan Burley at WWRL, and Lavada Durst at KVET to name a few... but only a few.

But I should comment on math and veracity:  The number 16 is very specific and allows me to suggest possible omissions. The number 3,000 is clearly an estimate. According to a November 1947 report by the FCC there were only 142 commercial radio stations operating in the U.S. in 1942.  Radio researcher Jeff Miller was able to add 6 non-commercial stations [LINK] to that tally for a grand total of 148.  So that 3,000 number is assuming 20.27 DJs per radio station, and considering the number of part time radio stations in that era, is actually plausible. But it also means that 0.533% of all DJs in 1947 were black or that 99.46666% of all DJs were white. So adding a few names to this list changes exactly nothing.

The First Black Radio Announcer (Part 6)

Charles Walton called Al Benson the Godfather of Black Radio.He was a DJ (obviously) a musician and recording artist, a record producer an ordained minister, and a civil rights activist. Born in Jackson,  Missisippi, Benson worked vaudeville as a child and relocated to Chicago with his parents in 1923. He was only 15 years old. The success of Jack L Cooper on WSBC opened the door to some possibilities in Chicago and Benson walked through it.

The Chicago Tribute wrote that he "worked as a probation officer, railroad cook and precinct captain..." He went on to found a small church under his real name Arthur Leaner. Then in 1943 he began to broadcast his church services, sermons and gospel music on 1390 WGES-AM Sunday nights. The station signed on in 1925 as WTAY-AM and in the 1920s was a 3-way dayshare with WSBT and WJKS. In 1925 Coyne Electrical School purchased the station changed its call letters to WGES. It changed hands a coupel more times and in 1941 WGES left the share and moved to 1390 kHz and increased it's power from 500 watts power to 5,000 watts. By 1945 Benson also had another program spinning blues and jump music.

Benson introduced his show with the song  "9 O'clock Beer" by the Barney Bigard Quintet. He would stay with WGES until 1962 when it flipped to Top-40 as WYNR. The new owrner, Gordon McLendon fired all of its foreign language programmers and black DJs... including Benson. (It failed and went all-news in 1964)
 Benson was popular in Chicago. He cross the street and began DJing at WJJD. But the uproar over WGES continued. There were complaints the the FCC. There was a big polish population in Chicago that just got the palm.  The FCC held hearings.. but nada.

Benson cross the street to WHFC-AM and when the station was bought by Leonard Chess it was a dream come true. Under Leonard the station became a 24/7 black radio station as WVON. But he worked only a month more and announced his retirement in 1963. He did a couple part time gigs at WAIT, WWCA and WIMS. He died in 1978.