- 1960: Outward Bound
- 1961: Caribé with The Latin Jazz Quintet
- 1961: Out There
- 1961: At the Five Spot, Vol. 1 (live)
- 1962: Far Cry
- 1963: Conversations
- 1963: At the Five Spot, Vol. 2 (live)
- 1964: Last Date (for radio program at Hilversum)
- 1964: Naima (for ORTF radio program at Paris)
- 1964: Unrealized Tapes (for ORTF radio program at Paris)
Naima was mostly recorded Paris, France, June 11, 1964. Triple Mix was recorded in November of 1960 at Esoteric Sound Studios in New York. The other 4 tracks were recorded live for OTRF. Unrealized Tapes also consists of tracks from the June 11th session. It is confused by misspellings of some of the players names. They share a two tracks "G.W." and "Serene." Discogs labeled this as a free jazz album which I would argue it is not. If you expect Ornette Coleman's reed squealing, this will strike you as comparatively subdued. Regardless the recordings should be observed with some reverence as they are Dolphy's last known recordings; made just 18 days before his death from diabetic shock. More here.
Jacques Dieval, the French pianist produced the session at ORTF. Some of the session men like Donald Byard, and Nathan Davis has also joined Dolphy at the Chat Qui Peche club. But this session was probably recorded at studios in the Maison de L'ORTF. To their credit, Resonance records has been releasing a number of ORTF jazz recordings from this era. That list also includes sessions with Larry Young, Nathan Davis, and Wes Montgomery. Jazz was part of the French post-war identity. They had been early adopters in the 1920s and in the following decades many African-American jazz musicians toured Europe, as it was more socially progressive than the U.S. Some came to stay, like Dolphy. More here.
From 1949 to 1981 as the RTF, then after 1964 as the ORTF, the Office de Radiodiffusion-Télévision Française, oversaw all public radio and television in France. All radio programming, and especially news broadcasts, were under the control of the national government. It sounds ominous but think of it as French NPR. But in 1980 there were only 7 of these licensed stations in France. Their competition was mostly French-language radio stations originating outside of France in the micro-state of Monaco, the Principality of Andorra, Luxembourg, Germany and of course BBC Francais.
But jazz is an instrumental music that supersedes language. Jazz Magazine listed off programs French jazz-heads could hear from Algiers, Brussels, Monte Carlo, Copenhagen, Stockholm, and several in Germany, coming from Munich, Frankfort, Salzburg and Hamburg. Perhaps the most popular were the American jazz programs on VOA like Downbeat, or Willis Conover on the Voice of America Jazz Hour and Leonard Feather's Jazz Club USA. I won't go further down this tangent but if you are interested she covered this in great detail in the book Jazz and Postwar French Identity by Elizabeth McGregor.
I would be remiss if I didn't mention one more radio session. There was one more in 1964, recorded before those but only released much later, piecemeal on other albums. Dolphy played with the Bob James Trio and Once Brass Ensemble at the ONCE festival at a VFW hall in Ann Arbor, MI on March 2nd, 1964. The session is mostly under the Bob James name, but a single Eric Dolphy track called "A personal statement" was recorded at WUOM. In that same era, 1956 through at least 1969 WUOM recorded and released LPs of it's own glee club and symphony band so they clearly had the ability. [LINK] But it remains uncertain who made the recording. Dolphy may have taped it himself, his earliest known recording is a home recording with Clifford Brown from 1954. The WUOM session was probably first released in 1987 on Eric Dolphy – Other Aspects. It was a re-release more recently on the album Eric Dolphy: Musical Prophet: The Expanded 1963 New York Studio Sessions. More here.
I know a bit about jazz, but was unfamiliar with Dolphy. I will have to listen to some.
ReplyDelete