The "two voice rural comedy" was set in a "mythical peaceful valley" according to it's promotional literature. Other characters appears only via the telephone who's ring opens every episode. In 1948 it was in it's 5th year. They advertised the program for syndication in Radio Daily, and it even ran during the Early Birds radio program according to some sources. The show announcer was John Allen, a WFAA regular. Ben was on the Early Birds program through 1956. But that program had it's 25th anniversary in 1955, Ben was a late addition. In 1956 the roster also included Elmer Baughman and Alex Keese.
The two main characters on Hackberry Hotel were Mr. Hack Berry the hotel manager and Willie Botts, an African American hotel worker. If you didn't notice in the above image, the one black character is played by a white voice actor. In their promotional ads and post cards he wears black face.Yes, black face. It was the 1940s.
Ben McClesky played Willie Botts a.k.a. "Little Willie." He also appeared as the same character on The Saturday Night Shindig. He had created the role possibly as early as 1931 and was also a script writer on Saturday Night Shindig. [SOURCE] Mr. Hack Berry was played by the Managing Director of WFAA, Martin B. Campbell. He had been with the station since at least 1934. Before WFAA he was the publicity director at 1280 WRR-AM in 1938.



My parents knew Ben McCkesy, who in his milder moments headed up a group of broadcasters "and other lunatics" and appeared at various City of Dallas functions. One locally famous instance was his group, the Merry Mixers, "attended" the Grand Opening of Dallas' Central Expressway. (1940?) Just a few miles south of the Mayor's flag&band opening, Ben (we called him Uncle Ben) and his group had CLOSED the Expressway with flag-draped sawhorses and a very ragged Ragtime band. /Gretchen Schoonmaker Ellis
ReplyDeleteThere is very little written about McCleskey. Your memory of "and other lunatics" is the only record of that I've ever heard of. After the Early Birds on WFAA he appears in a few issues of Broadcasting and basically disappears.
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