Monday, March 26, 2018

Desert Oracle Radio

The station 107.7 KCDZ signed on in Joshua Tree, CA in 1989. It's a Class B 6,700 watt station to the East of LA but with a directional signal transmitting North into the Mojave desert.  The Los Angeles Times reported on this aptly in their "Desert Cities Scene" section.
"The Federal Communications Commission has assigned the call sign KCDZ to the new FM radio station license recently awarded to Morongo Basin Broadcasting Corp. "We wanted call signs that would be easy to remember that let people know what we are doing," said Gary Daigneault, program director and vice president for the locally owned corporation...  The studios are currently under construction in the Starr Plaza in Joshua Tree. KCDZ-FM will broadcast 24 hours a day at the assigned frequency of 107.7, and its signal is expected to reach from Amboy on the east to Yucca Valley on the west. The projected air debut is set for July.
The American South West is full of stations broadcasting in the desert. What distinguishes this one is content. They brand themselves as a Community station even though they are formatted Hot AC. So they're not in the same league as say, KXCI. But despite that, or perhaps to compensate for that, they are also the radio home of Desert Oracle Radio which airs Friday nights at 10:00 PM. More here.

Ken Layne, “the voice of the desert” hosts the program. Though he's probably best known for his accomplishments as a writer and/or blogger for Gawker, Wonkette and The Awl, he also is a writer and novelist and editor of the literary journal Desert Oracle. It is that publication that begat the radio show and podcast of the same name. The print version of Desert Oracle only launched in 2015 giving it a small head start on the program which debuted June 18th, 2017. He described the first program "Expect evocative tales of lost mines, UFOs, missing tourists, secret military projects, local legends, weird animals and weirder people." The summary made it sound like a take on an old Coast to Coast AM episode.

But over 26 episodes, it's 30-minute format evolved from conspiracy-a-go-go and trucker hats into a melange of desert soundscapes, interviews with local eccentrics and UFO stories... Well if it ain't broke don't fix it. In the most recent broadcast he describes quite a scene at the broadcast studio:
"It's a wonderful set up out here tonight. because I'm broadcasting form this old yellow trailer there are all kinds of people walking around in the night between the main house and the various sculptures in the trail and there's a shipping container across the way people are in there singing various songs and what have you. There are big creosote and Joshua trees around and we've got radios piled up all over, every kind of portable radio, in various states of repair outside the trailer here and around the property... A night out on the desert way down a dirt road. People are parked up and down the road, maybe just arriving, maybe just leaving, maybe headed to the liquor store..."
Ken was describing a remote broadcast from an art show but somehow his chops as a former tabloid writer, his baritone voice, and the soundtrack make for a somewhat spookier production. He manages to add gravitas in places you wouldn't expect, like an interview on energy independence. The program seems out of place on KCDZ, more like a program from an actual community station.  But it also is perfectly at home in Twentynine Palms, broadcasting from a trailer, in the darkness, surrounded by the ghostly night landscape of the Mojave.

Monday, March 19, 2018

Maximum Rock 'N' Roll Radio

Maximum Rock 'N' Roll, whether you consider it a 'zine, fanzine or a magazine is a cultural tour-de-force of punk rock. What many readers do not know is that the publication has strong roots in radio. (Maximum Rock 'N' Roll shall heretofore be referred to as MRR for the sake of space.)  The infamous magazine MRR was founded in 1982, but the now obscure MRR radio program, began in 1977. It's host was Tim Yohannan, also known as Tim Yo. More here.  It's worth noting that Tim was kind of a dick. Even Wikipedia which is typically loath to use personal adjectives, describes him as "notoriously difficult" and "divisive" with the same understated subtext one might use to describe Ginger Baker. But colorful and abrasive personalities are not unusual in either publishing or in broadcasting.
Maximum Rock 'N' Roll aired on 94.1 KPFA,  on Sundays at Midnight, moving to Tuesdays 8:00 - 10:00 PM in June of 1979. In 1977 it was one of only a few punk rock radio radio programs in America, if not the world. The use of the word "punk" to describe the musical genre only began in the early 1970s. The earliest contextually musical use of the word I am aware of is from Lester Bangs. , In the December 1970 issue of Creem, Lester Bangs, ironically referred to Iggy Pop as "that Stooge punk". Writer Dave Marsh, also of Creem used it similarly in 1971. Alan Vega of the band Suicide, credits Bang's usage with inspiring his duo to bill its gigs as a "punk mass." From there it permeated pop culture. In this context it makes a lot of sense that early flyers refer to Urban Blues, Soul, Surf or Rockabilly as much as rocknroll. [SOURCE] The punk rock of the era is now often categorized as protopunk. The MRR website today describes the program:
“Maximum Rock & Roll” started in 1977 as a punk rock radio show—one of the first and best of all time. “Tim and the gang” played the latest punk and hardcore sounds from across the world, the U.S., and from their home in the bristling San Francisco Bay Area punk scene. “The gang” included personalities like Jeff Bale, Ruth Schwartz, and Jello Biafra. Punk antiheroes regularly visited as guest DJs, and the roster of touring bands interviewed on the show reads like the track list on a classic old comp. The show was notable for the immediacy of the music, a dedication to international coverage (rare at the time), and for explicitly interjecting progressive politics into the dialogue of punk. The show became hugely successful in the underground, and eventually was broadcast from stations across the U.S. and abroad."
There are surviving tapes from as early as 1980 posted online. But on one tape from a show aired in January 1987, Tim plays a segment from an MRR tape recorded in 1978. It's also worth noting that as part of fundraising drive, KPFA sponsored themed programming days. On March 7, 1981 the theme was "Punk Day" this was more or less MRR day.
1978 ad from Search & Destroy Magazine
But Tim Yo didn't host the Maximum Rock 'N' Roll radio show alone. There were three regular faces in on that show. Among them, Ruth Schwartz is notable for having her own radio program, she was a DJ at KALX then started hosting Harmful Emissions at 90.3 KUSF in 1980. In a 2012 interview, she describes meeting Tim.
"I had never met Tim Yohannan. I knew of him, but I don’t think I had met him until he walked into the KUSF studio one night to meet me. He walked in and said, “Do you want to be on our radio program?” ...That’s how I met him."
At the MRR radio program Ruth handled board ops and edited 1/4 tape with an Xacto knife for broadcast, duplication and distribution. Yes, Ruth is how MRR got distributed around the world. (She went on to found Mordam distribution.)  The original MRR program was cancelled in 1990 despite the fact that Ruth was manually syndicating to 20-30 stations. According to Alan O'Coconner, author of Punk Record Labels and the Struggle for Autonomy, (2008) Pacifica was trying to reach more upscale listener-supporters.

It may have been a coincidence, but when Tim died in 1998, at the urging of Tim Munson, MRR magazine themed the next issue (June issue 181) as their Pirate Radio issue. They did interviews and articles about pirate stations like 91.3 Radio Mutiny (WPPR), 90.9 Rebel Radio, 94.7 Radio Free Gainesville, 99.7 Black Liberation Radio, Radio Free Berkeley, Beat Radio, Radio Cairo, 104.7 WZVU, 88.9 KAW, Free Radio Memphis, 105.5 WDOA, Radio Free Alston, Micro Kind Radio, 107.9 KCMG, 97.7 WSKR, Lutz Community Radio, 88.7 Steal This Radio and many others.
MRR relaunched the program around 2002 in a podcast like format. It remains a fine purveyor of punk rock, but is no longer affiliated with KPFA.

Monday, March 05, 2018

The Golden Mike Awards

The Golden Mic Awards are not Google-friendly, the search results are really disambiguation-city. Today one set of Golden Mic awards are given out at the Latin Music Awards in 2015, and another unrelated set of Golden Mics are awarded by MediaCorp in Singapore. The Broadcasters Foundation of America (BOFA) awards their Golden Mics to industry leaders at at annual gala as well. RTNA gave out Golden Mike awards just last year. The New Hampshire Association of Broadcasters (NHAB) did golden mic awards starting in at least 1993 and through about 2010.  The National Religious Broadcasters (NRB) did the same in the early 1990s.   McCalls Magazine was the first publication to use the term, and they started decades ago. I'm surprised they don't get a license fee for use of the name.

The earliest Golden Mic awards were actually "Mike" awards given out by McCall's Magazine starting in 1951, in cooperation with the American Women in Radio and Television (AWRT). All the modern Golden Mics are popularity contests. But McCalls Golden Mike awards had nothing to do with ratings. They granted their awards only to women, and based exclusively on civic engagement, community service, charity, health and safety. Their judges were commissioners of education, presidents of women's clubs, senators, publishers with a refreshing lack of guys from the marketing department. For the 11th annual awards McCalls published this great quote:
"Mccalls is proud to honor the achievements of Mrs Stevenson and her fellow winners, who are actively proving that mediocrity, vapidity, and dull daily dialing are not inevitable on the broadcast  channels of our nation."
The last year the awards were given out by McCalls was in 1965.  I have a 1959 issue of Broadcasting magazine that lists the 8th annual winners. I list those below with those if the first awards in 1951.
  • Patti Cavin - WRC Washington, DC
  • Ellen Stoutenberg - WIP Philadelphia, PA
  • Susie Strother - WJLB Detroit, MI
  • Mercer Livermore - WKKO Cocoa, FL
  • Marge Miner - KFEQ-TV St. Joseph,  MO
  • Sophie Altman - WRC-TV Washington, DC
The winners in 1962 were as follows:
  • Rachel Waples Stevenson - WTTW Chicago, IL
  • Joyce Marron - KGGM-TV, KABC-TV, KNME-TV Los Angeles, CA
  • Valena Minor Williams - WABQ Cleveland, OH
  • Nancy Clark - KTVB-TV Boise, ID
  • Kitty Broman - WWLP Springfield, MA
With thanks to the Library of the University of Maryland who posted a list from the very first Golden Mike awards in 1951. Those winners were as follows:
  • Elizabeth E. Marshall - WBEZ & WIND, Chicago, IL
  • Kit Fox - WLW Cincinnati, OH
  • Mary St. Clara - WKBB Dubuque, IA
  • Edythe J. Messerand - WOR New York, NY
  • Bee Baxter - KSOO Sioux Falls, SD
  • Helen Faith Keane - WABD-TV New York, NY
  • Dorothy Gordon - WQXR New York, NY
I have begun a list of all the awardees, this includes all of the above and all my partial information for other years. Click HERE for more.