Showing posts with label polka. Show all posts
Showing posts with label polka. Show all posts

Monday, June 22, 2020

Polka Saves Lives

The time-line of WWII is very complicated and there were some conflicts within the war that began beforehand, and others which only continued unabated into further conflict afterward. In the U.S. the war is often taught inaccurately as ending abruptly in the European theater in April of 1945, and in the Pacific theater with the dropping of a nuclear bomb on Hiroshima in August of 1945. Perhaps it's Hollywood which gives America such a love of tidy endings which wrap up all the plot lines. Real  history is a continuum without end. Every event begets another ad infinitum.

After the Winter war, the Soviet invasion of Finland (Nov. 1939 - mar. 1940) Finland and Nazi Germany invaded the USSR. This is called Continuation War. The Finland was trying (mostly) to regain lost territory, while Germany... I'm sure you've heard. It was a very active conflict causing about 85,000 deaths. The Continuation War ended in September of 1944, with the Moscow Armistice. There is a lot to unpack there. So let's skip ahead to the interesting bit of radio trivia.
We start in the city of Finnish Viipuri which today is on the other side of the border in the Lenningrad Oblast as Vyborg, Russia. The Finish army defeated the Russians and on August 31st, 1941 they had a victory parade. Shortly thereafter they discovered the landmines.  The retreating Soviets planted radio-controlled land mines throughout the city of Viipuri. These events are covered with a bit of detail in the book Finland at War by Vesa Nenye and Peter Munter.

Accounts indicate that these mines were designed to be triggered by an a triad— a three-note chord. I think this is somewhat inaccurate. The trigger was probably an AM radio wave carrying a triad tones. All account indicate the remote control originated in Leningrad (now Saint Petersburg). This is 85 miles away. More likely the concern was that they would be triggered during the retreat to Leningrad. Nonetheless the signal was in all likelihood a single AM frequency, bearing the triad detonate signal.  Were it not, jamming would be infinitely more complicated. You can also find more information on this in the book Finland at War by Vesa Nenye and Peter Munter.

The book Wireless Communications Security by Jyrki T. J. Penttinen also described the mechanism. I paraphrase for clarity:  A three-note chord was played on the frequency the radio was tuned to, causing three tuning forks to vibrate. Once the Army and Yleisradio experts discovered how the mines worked, a Yleisradio mobile transmitter was brought to Viipuri, and Vesterinen's recording of the polka was played on the same frequencies the mines used. The song was played continuously for about 1,500 repetitions in the beginning of September 1941, after which alternative equipment was used to continue the radio jamming operation until February 2nd, 1942.  The word Yleisradio just means "General Radio" or "General Broadcast". In this context I read it to mean "radio engineers", or "radio operators". Today it's also the name for Finland's Public Radio entity, like the BBC, CBC or NPR.

But there are slightly different versions of these events. The victory parade may be a later revision to the tale. But the victory it self was real. It was the 3rd time in 4 years the Finns had taken Viipuri back from the Russians, there probably were multiple parades over those years. A U.S. Department of Defense document described it thusly:
"Although the Russians retreated in a disorderly fashion to the south... they were able to explode, during and after their retreat, ground mines in the streets, by means of radio waves from Leningrad. About 60% of the houses were damaged. Afterward a control machine (transmitter) stimulated by radio waves from Leningrad was discovered and precautions appeared to have been taken."
So let's talk Polka. Not knowing what frequency or frequencies might carry the triad of death, the Finns flooded the radio band. By broadcasting strong local signals across all probable frequencies they effectively blocked the now distant Russian signal. Instead of broadcasting an empty carrier wave they went with an all-polka format. The song they played on infinite-repeat was Säkkijärven polka, also called the Karelian-Finnish Polka. It is a well-known folk tune from Finland. Of all the versions they could have selected, they went with one by the celebrity Finnish accordionist Viljo "Vili" Vesterinen.
"That polka brings past times to mind / and creates a strange longing in the chest. / Hey, musician, let the accordion play the Säkkijärvi Polka! / It takes the young and the old to dancing, nothing compares to that polka"
Odeon released Vesterinen's version of Säkkijärven Polkka ‎ in Scandinavia in 1939, (the B-side was Laivaston Tanssiaiset) and then re-released it in Finland in 1941. Viljo Vesterinen was born on March 26, 1907. He was a child prodigy, performing semi-professionally at the age of 15. Reputedly he couldn't read sheet music and played entirely by ear. He performed with the Suomi-Jazz Orchestra and the Dallapé Orchestra. He was a prolific performer and composer making about 680 recordings in his life, the earliest was with Nils Ekman in 1929 for Homokord. His later recorded for the Fenno, Electro, Decca and Odeon record labels.

But Vesterinen was also an alcoholic and in the late 1940s he began to have seizures and became paralyzed on his left side. He lost the ability to play. At the end of his life, Vesterinen worked as a tuner at the Kouvola accordion factory. In the Fall of 1955, the film Säkkijärvi Polkka premiered. It was a dramatized telling of Viljo Vesterinen's life story. Viljo even appeared in the film. He died in 1961 at the age of 54.

Monday, January 25, 2016

Your Polka Master Bill BeDilion


The Club Continental in McKeesport, PA ran regular ads in the Daily Notes" newspaper of Cannonsburg, PA plugging their polka shows. They also bought inches from the Evening Standard and the Union herald in Uniontown until at least 1965. They scheduled a Polka dance every Friday night from 8:00 PM to 2:00 AM. The booked the Polka Hops, the Invicta Orchestra, the Pennsylvania Pol-cats, the Uniontown Polish Orchestra and the Pennsylvania Polkakats. They claimed to have the largest dance floor in the area. On July 2nd the Master of Ceremonies was Bill BeDilion of the 1450 WJPA-AM Polka Party.

Looking at that picture of Bill above It's clear he's holding a black disc in his right hand. That can only be a transcription disc, at least a 16 inches in diameter. Minus a white label it's not impressive looking, and it's presence in the shot is ambiguous. I saw the post card on eBay and it bore no postmark so the only date I have for reference is that single 1952 advert.

WJPA was founded by a "consortium of business owners" from the Washington PA area on February 1, 1941. Until recently they still claimed that some of the original founders are reputed to still be part owners. That seems unlikely in 2016 given normal actuarial tables, but it's license is still held by the Washington Broadcasting Co. Today WJPA is an oldies station, with a bit of sports and news, simulcasting it's AM and FM sides. It's one of the increasingly rare music stations on the AM band.

WJPA was still airing  a few lingering weekend hours of polka as late as 1996. [SOURCE] but that last polka program was cancelled by the PD because he didn't want WJPA to be known as a "polka station." His concern was reasonable. Polka is treated as a joke genre in America, not a pejoratively but more like a stale slapstick gag. It's a form of disrespect other ethic music genres don't have to endure. Even WMUZ cut it's polka hours this year. [SOURCE] A poster on Radio Discussions.com recently wrote "I would venture that WKZV makes zero income Monday-Friday and keeps the lights on with polkas and other brokered time slots on the weekend." Their comment was aimed at another Western PA station, but the sentiment is the same.  Where is Bill BeDilion when you need him?

Thursday, July 23, 2015

The Viking Accordion Band!

Somewhere out there is a polka fan that thinks of the Viking Accordion Band as "classic".  Note there are 8 members but only 4 accordions, a testament that more accordions only means more accompaniment. the group was founded in 1929 by Leighton "Skipper" Berg shortly after being laid off from his retail job. In other words, the great depression directly caused the formation of the Viking Accordion Band.

First Berg joined two friends as a trio, playing parties and small gigs. Then in 1930 picked up four more members (all Scandinavian) with an eye on a regular radio gig. They played out around the region: WDGY, WOI, WMT, and WNAX to name a few. WOI-AM in Ames Iowa was almost 250 miles round trip. Some bands would squawk at that gig today.

They were unusual among polka bands for being "multi-ethnic."  The band members were of almost exclusively Scandinavian descent. But their set list was comprised of every kind of Polka you can shake your Lederhosen at: Czech, Scandinavian, German, Bohemian... even Italian and Irish selections. Over time the band ditched their Lederhosen and Nordic repertoire and switched to tuxedos like a ballroom dance band. It was classy and neutral and got them into more venues. They spelled out that strangely progressive cultural mission on a post card:
"The band with music of folk songs and old world melodies, distinctively styled for your personal pleasure, completes its sixth year of weekly broadcasts over WOI.  We want you to continue being a regular Viking listener.  Wire in and let us play your personal requests. Be sure to refer us to your local dance manager."
The band went on to record for Melotone, Brunswick, Perfect, Vocalion, Decca and Columbia to name a few. The band continued on successfully until the draft in WWII claimed a few too many key members requiring a break.  But the problem persisted. After WWII Berg went through musicians like tissue paper. Somewhat amusingly he regularly posed the job openings in Billboard Magazine through 1956. Below is a sampling.. there are dozens more:

Clarinet, 1942
 
Piano, October 1946
Clarinet , February 1947
Clarinet, August 1947
 
Clarinet and Sax, May 1948
 
 


Clarinet, August 1949
Trumpet, September 1949




Trumpet, January 1950 

Brass Bass, October 1950 (also ran in November)
 



Clarinet, March 1951
Trumpet, October 1952
Accordionist, May 1955 (also ran in June)




Sax & Clarinet, April 1956

Berg polka'd on into the late 1950s. In 1992 he wrote the history of his Vikings, producing a a 145-page book  entitled the Viking Accordion  Band Reflects Colorful  History. His praises are sun in books like Polkabilly by James Leary, and A Passion for Polka by Victor Greene. Their significance to American polka is hard to over-state.

Wednesday, March 23, 2011

Dick Yash's Afternoon Polka Party!

Dick Yash is so obscure I barely know anything about him. I know his name from two lone print references. One is the back of a Joe Twarog Polkafest LP. The other is the book Polish Radio Broadcasting in the United States by Jozef Migala. The corroboration confirms for me that he was a real DJ, on 1500 WFIF-AM in Milford, CT. He was also involved in some polka fests as well including one in Danbury, CT.

WFIF-AM was a daytimer with it's studios in the Connecticut Post Shopping Center located at 1201 Boston Post Rd. (The original building no longer exists.) The AM studio had a big window facing the I-95 and had a speaker mounted outside so shoppers could hear them as they passed by.

It's three-tower transmitter site was located at the end of Kay Avenue. Around 1978 WFIF moved it's studios out of the strip mall to the to the transmitter site. Bill Blount bought the station in 1982 and he flipped the format to Christian Con. That held until about 2008 when they began to segue into Christian talk; still under his ownership. Blount Communications presently includes 1590 WARV-AM, 105.9 WBCI-FM, WDER-AM, 1230 WNEB-AM, and 760 WVNE-AM. All run christian programming of one flavor or another. 

WFIF signed on in 1965 under the ownership of Colonial Broadcasting. I looked them up in a few of the Broadcasting Yearbooks In 1965 they are listed as "not on air, target date unknown."  In 1966 they're described as "Spec Progs: Ital 1 hr; Pol 1 hr; Sp 2 hrs, C&W 5 hrs, Hebrew 1 hr, all wkly" I will venture a guess that the "Pol 1 hr" is Dick Yash. So Dick was on air at WFIF from the beginning.  In the 1960s and most of the 1970s WFIF programmed country music. They went Top-40 in the late 1970s. Those specialty shows were all on the weekends. The Sunday Afternoon Polka Party ran every Sunday from Noon to 2:00 PM. The program was still listed in 1975. After that the Broadcasting yearbook ceased to carry that type of data.

Unexpectedly the the book Polish Radio Broadcasting in the United States Had a different listing for Mr. Yash. It read: "Polka Time with Dick Yash"  broadcast every Sunday from 8 am to 9 am on WNHC, New Haven. The program consists of Polish folk music, polkas and waltzes. It is aired in English." But the book was published in 1987. I suspect that Yash moved on around the time of the Blount take-over. How long he was at 1340 WNHC-AM I don't know, but that station became WYBC-AM in 1998 and I haven't found any other references to him in the last 2 decades.

Wednesday, January 30, 2008

Jolly Jack Robel

Jolly Jack Robel and his Radio Band, that's the artist name on the Vocalion 78 I have here. He sang, conducted, played clarinet, bass, violin and harmonica and had his own 12-piece orchestra. He had a radio program on 1490 WAZL-AM in Hazleton, and another on WPAM-AM. Jack also sold some of his songs to the Andrews sisters. One of these was the infamous "Beer Barrel Polka." Jack Robel was a polka pioneer if you will. he was one of several Polka artists that pushed polka toward a more popular and less ethnic audience. his works favored dance rhythms, and full orchestras like more common pop music of the era. It was a more homogeneous and a new and truly American style of polka. This makes sense when you realize that while was born in Ukraine, he learned clarinet from a Tommy Dorsey an American swing legend.  Some sources credit him with writing the "Beer Barrel Polka" in 1936. For that he will never be forgiven.

But it was a different time and place. The coal mines of the Shenandoah were cracking and Polish and other western European immigrants worked the mines. Local stations like 1450 WPAM-AM, 1530 WMBT-AM and WMIM-AM all ran polish programming regularly to serve that audience.

In the beginning Jolly Jack put together a band of Slovak musicians and started playing the ethnic polish programs on WAZL-AM and WEEM-AM. WAZL and WPAM eventually gave him his own program. Then he moved on to playing ballrooms back when that was a way to reach people. In a small burg like Pottstown a big show might draw 1000 people. It was gigs like that which got his band recorded in New York and sides released on Brunswick, Vocalion, Columbia and at least 40 LPs for Decca. More here.

WAZL is still an ethnic station today, now serving the growing Hispanic population. I do recommend you read the Fybush tour of the Pennsylvania coal country radio stations here. Almost all these stations appear in his essay.

Monday, June 20, 2005

Polka-Classic-Country

Because Polka and Country Oldies go together like Bacon and Eggs.

WTKM 104.9 FM -Hartford, WI about 30 miles North West of Milwaukee. 45 Miles north West of Ripon the birth place of the Republican party. Where they burn a young independant thinker at the stake every year on independance day; to celebrate the proud ignorace that is their birthright. anyway...

Nestled among the picturesque, traditional dairy farms and accordion manufacturers of that region is WTKM. Independantly owned by the Kettle-Moraine Broadcasting Co. they program what they like, and what they want. Apparently this includes the beer barrel polka and a lot of Hank Williams. Actually they do mix in a little big band as well. request polka here: polkas@nconnect.net

Broadcasting on 104.9 and 1540 AM they cover some very valulable real estate stretching between Madison and Milwaukee. Not only is this rich farm land. This is also, expensive radio real estate. Muchy like the case of the WSNJ move-in, this FM could easily get a first service approval for either city. I am certain WTKM has been resisting the traditional industry offerings of cash, stock, hooch, staff positions, and sacrificial viergins. they continue to do radio they way they want. That is respectable. That is enviable. they stream online:
http://www.warpradio.com/player/player.asp?page=Tuner&id=11069&wmpVer=10&br=IE&os=win&country

Saturday, June 04, 2005

Polka is an underground cult

Every European nation claims an ehnicity and in America's melting pot they persist; giving us color and flavor. The Polish people gave us polka, when they came to America they brought it with them. It is a genuine American underground. I beleive to this day that the Polish underground of Chicago delivered the election of Kennedy in 1961. So thank a Polish-American today. Today we go to Chicago, a city that can boast more Polka per inch of radio dial than any other american city.

http://www.polskieradio.com/
Starting with the all polka network: Polskinet who's website boasts an annoying liner and a picture of a middle aged bald man: 1030 WNVR-AM, WKTA 1330, and 1430 WEEF. And the independants:
Chicago's Polish Pride -WPNA 1490 actually owned by the Polish National Alliance Which sounds vaguely like the teamsters when you read their literature
http://www.wpna1490am.com/

WNWI 1080 who runs a program of Midwest polka music called "MIDWEST POLKA SOUND" at 1:00pm Sundays. Technically a brokered ethnic station but their schedule consists of only Polish, Serbian, German and Bosnian programming. So,when their not playing Polka they are talking about Polka. This station is a gem: http://www.wnzk.com/wnwi.html