Rittenhouse is a name that resonates in Philadelphia. Rittenhouse Square is one of five Philadelphia parks originally planned by William Penn and his surveyor Thomas Holme. Originally called Southwest Square, Rittenhouse Square was renamed in 1825 after David Rittenhouse. Rev. H.B. Rittenhouse may or may not be related to the above. I suspect hes is. Regardless, his surname certainly wouldn't have hurt his prospects in radio. No surprise then he broadcast on at least nine different radio stations.
His book of gospel songs above mentions no call letters. H.B. had no home station of his own. He leased time where he could find it and advertised in local newspapers. One article describes him as preaching at the Church Of The Nazarene in Hagerstown, MD. A movie-radio program guide from July of 1942, lists him on 930 WFMD-AM on Saturday the 11th at 3:15 PM and again at 8:00 PM. He did a Monday through Fridya slot on WFMD at 7:3- AM. The same document lists him at 8:00 AM simultaneously on WFMD-AM, 1090 WBAL-AM and 850 WEEU-AM. He also was working at 1300 WFBR-AM on Wednesdays. The January issue of the same magazine also has him on 550 WSVA-AM.
A 1942 program listing [here] lists him on 1450 WWDC-AM on Saturday October 10th at 11:15 PM. I also discovered a single clipping that he broadcast on WIBG-AM in 1945. Today WIBG lives in South Jersey on 1020. But back in the 1940s, it was on 990 in Philadelphia. Today WNTP occupies that slot on the dial. A 1943 issue of the Frederick News Post wrote "Rev. H. B. Rittenhouse Everyday 1 To P. M. 1240 On Your Dial." The calls aren't listed but then or now it'd be WJEJ-AM.
In 1960 he married Andy and Betty DeWitt, he was her uncle. He appears to have settled in Friendsville, PA in the 1970s. His name appears in numerous obituaries alive and officiating. I'm certain it was him as he
officiated the funeral of Theodore Coddington in the same town in 1974, and Claudine M. McCullough in 1977, in 1985 at the funeral
of Ritchey J. Kahl, and Cleda Blanche Coddington in 1989. His wife Betty Rittenhouse died in 2007 at the age of 81.
Showing posts with label WWDC. Show all posts
Showing posts with label WWDC. Show all posts
Friday, March 13, 2015
Friday, November 19, 2010
Radio in Mass Transit
In the Fall of 1949 Chicago was installing radio in it's buses. A short list of stations were even being considered for the right to be aired inside the buses: WMOR-AM, WBBM-AM, WFMF-AM, WBIK-FM, WJJD-FM, This was a big change. Car radios debuted in the 1930s, but these were mostly add-ons. Cars did not come with radios standard for a couple more decades. Ford pushed it as an popular option starting in 1950 and it took off. In 1952 Blaupunkt became the first maker to offer FM receivers but AM remained king for another 30 years. Why were Transit companies and city governments so keen on installing FM radios in their transit vehicles?
The first company was Transit Radio Inc. based in Cincinnati. In July of 1948 they launched the service in Covington, Kentucky installing 100 sets in the cars of the Newport and Covington railway. A Month later St. Louis was announcing plans to install radios in their buses to get news, time and weather reports from WXOK-FM. In Washington D.C station WWDC-FM worked out a similar deal. Eventually over 1,000 buses and rail cars were equipped. Other cities followed in the first year: Houston TX, Wilkes-Barre PA, Worcester MA, Huntington WV. It was a captive audience that advertisement wanted a piece of. The public reaction was mixed to say the least. A survey by the Edward G. Doody Company determined that 80% of riders found radio made their ride more enjoyable, 6% found it less enjoyable and 14% were ambivalent. They complaints were initially dismissed as a vocal minority.
When mass transit vehicles added radio to existing vehicles there was nearly no consideration for acoustics. In the previous century acoustics had been acknowledged, but poorly understood. Even symphony halls were still designed in what's called a "shoebox configuration." The world's first scientifically designed symphony hall was only built in 1900, and it wasn't much different than those that preceded it. Imagine a 48-foot long aluminum and steel tube with an antenna, spark plugs, speakers and a radio. It's a metal box, it vibrates, sounds reflect and scatter. The saving grace of the bus was in that it is usually filled with humans. Compared to steel and aluminum we're pretty squishy. We provide a lot of acoustic absorption. In Chicago General electric and WGNB-FM tested their system and got specific complaints. One account in Billboard magazine described the reaction of the Chicagoan guinea pigs:
General Electric, REI and Stromberg-Carlson came to the rescue with radios that automatically adjusted volume based on the number of riders. 21 Cities were using the devices so thsi was no small market. Stromberg-Carlson probably got some Chicago contracts for virtue of being a local company. Alfred Stromgberg and Androv Carlson founded their first company in 1894, then a series of others. In 1910 they began making headsets, and other radio parts. They like others tried to tackle the problem in 1950, but as advertisers shied away in the face of the very public court cases... the service faded away.
The first company was Transit Radio Inc. based in Cincinnati. In July of 1948 they launched the service in Covington, Kentucky installing 100 sets in the cars of the Newport and Covington railway. A Month later St. Louis was announcing plans to install radios in their buses to get news, time and weather reports from WXOK-FM. In Washington D.C station WWDC-FM worked out a similar deal. Eventually over 1,000 buses and rail cars were equipped. Other cities followed in the first year: Houston TX, Wilkes-Barre PA, Worcester MA, Huntington WV. It was a captive audience that advertisement wanted a piece of. The public reaction was mixed to say the least. A survey by the Edward G. Doody Company determined that 80% of riders found radio made their ride more enjoyable, 6% found it less enjoyable and 14% were ambivalent. They complaints were initially dismissed as a vocal minority.
When mass transit vehicles added radio to existing vehicles there was nearly no consideration for acoustics. In the previous century acoustics had been acknowledged, but poorly understood. Even symphony halls were still designed in what's called a "shoebox configuration." The world's first scientifically designed symphony hall was only built in 1900, and it wasn't much different than those that preceded it. Imagine a 48-foot long aluminum and steel tube with an antenna, spark plugs, speakers and a radio. It's a metal box, it vibrates, sounds reflect and scatter. The saving grace of the bus was in that it is usually filled with humans. Compared to steel and aluminum we're pretty squishy. We provide a lot of acoustic absorption. In Chicago General electric and WGNB-FM tested their system and got specific complaints. One account in Billboard magazine described the reaction of the Chicagoan guinea pigs:
In the book Broadcasting the local news Lynn Boyd Hinds described committees forming opposed to radio in transit vehicles. Some people didn't like the idea of being bombarded by advertisements. In 1949, the first year of transit radio, complaints were being filed not just in Chicago, but with the transit authorities in Washington D.C. and others. Eventually it went to the courts. In 1952, after two appeals transit radio was declared constitutional. It was a show trial, with one justice even recusing himself. You can read the legal brief here. Broadcasting Magazine summed up the verdict with a bit too much entitlement:"One of the complaints of the public tested with sample uses of transit radio here has been irritation caused by lack of controlled volume. When vehicles were crowded, top volume was used. But when there were fewer riders continued high volume was disturbing."
"It sanctions the birth of a new advertising medium. It affords opportunity to a substantial number of FM broadcasters to earn a return on their investments."It may seem today to be an over-reaction. But try to compare it to the ire you give TV networks when the commercials are louder than the programs. The problem some thought, was really just one of volume. There was a valid argument for this. While loud speakers were already 70 years old, the electric amplifier was not. More here. Without a a modern amplifier, loud speakers aren't very loud in 1949 they were using tube amps, not solid state. Tubes themselves barely date to 1907 with DeForest. Radio was listed to at home in the parlor, car radios were a luxury. So in every practical sense, these engineers had little prior work to base their implementation on.
General Electric, REI and Stromberg-Carlson came to the rescue with radios that automatically adjusted volume based on the number of riders. 21 Cities were using the devices so thsi was no small market. Stromberg-Carlson probably got some Chicago contracts for virtue of being a local company. Alfred Stromgberg and Androv Carlson founded their first company in 1894, then a series of others. In 1910 they began making headsets, and other radio parts. They like others tried to tackle the problem in 1950, but as advertisers shied away in the face of the very public court cases... the service faded away.
Labels:
car radio,
Lee DeForest,
WGNB,
WWDC,
WXOK
Wednesday, November 12, 2008
Teentimers Club
NBC carried this little known show from 1946 through 1949. The program was aimed at teenage listeners hence the name "Teentimers." It debuted in 1946 running on Saturday mornings on WGN. The program sported appearances by Duke Ellington, Gene Krupa, Louis Jordan, Lionel Hampton, Les Brown, Woody Herman, Jimmy Dorsey, and Cab Calloway. This was dance music. There are actually some 16-inch transcription discs known to exist of at least the Ellington performances. It was also carried on AFRS.
By the time WWi ended, Johnny Desmond was a sergeant and had sung for Gene Krupa and Glenn Miller. He came back and did some variety shows for NBC. But he also started recorded for RCA Victor and became a teen idol. In 1946 NBC pounced on him, they paid him $500 a week to sing on Teentimers.
But it was one of a number of these 1940s radio programs trying to reach teenagers which at the time were coming into their own as a market. 1450 WWDC-AM had a program called 'Teentime revue" and "Teentime requests." 980 WRC-AM had Teentimer's Show. Another program ABC's Teen Town was hosted by Dick York (yes that guy from Bewitched.) That program actually changed it's name to Junior Junction to avoid brand confusion. Spending for juvenile-focuses radio shows increased between 1941 and 1951 from $600 thousand to $7 million. Holy crap. that's an increase of 11,6667% More here.
By the time WWi ended, Johnny Desmond was a sergeant and had sung for Gene Krupa and Glenn Miller. He came back and did some variety shows for NBC. But he also started recorded for RCA Victor and became a teen idol. In 1946 NBC pounced on him, they paid him $500 a week to sing on Teentimers.But it was one of a number of these 1940s radio programs trying to reach teenagers which at the time were coming into their own as a market. 1450 WWDC-AM had a program called 'Teentime revue" and "Teentime requests." 980 WRC-AM had Teentimer's Show. Another program ABC's Teen Town was hosted by Dick York (yes that guy from Bewitched.) That program actually changed it's name to Junior Junction to avoid brand confusion. Spending for juvenile-focuses radio shows increased between 1941 and 1951 from $600 thousand to $7 million. Holy crap. that's an increase of 11,6667% More here.
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